Mamiya SUPER 23 (1967)

Camera: Mamiya SUPER 23

Lens: Mamiya-SEKOR 1:3.5 f=100mm

Shutter: SEIKOSHA-S

Film: Shanghai GP3 100 shot at 200

Develop: Ilford DD-X 1+4 @20°C 

7-minutes (fresh)

Ricoh Hi-Color 35 S (1968)

Camera: Ricoh Hi-Color 35 S

Lens: Color RIKENON 1:2.8 f=35mm

Film: Ultrafine 100 @ 200

Develop: Ilford DD-X 1+4 20°C 13 minutes

POLAROID Land 800 (1957-62)

Camera & Lens: POLAROID Land 800

Film: 4x5 FOMA Fomapan 400

Metering: EV15 at ISO3000 = EV12 at ISO400

Develop: Ilford DD-X 1+9 room temperature 45 minutes

 

TOPCON Horseman 985 (1980)

Body: TOPCON Horseman 985

Lens: SUPER TOPCOR 1:5.6 f=150mm

Film: FOMA Fomapan 400

Develop: Ilford DD-X 1+9 room temperature 45 minutes

FUJIFILM Instax Wide 210 (1999)

Camera & Lens: FUJIFILM Instax Wide 210

Film: FOMA Fomapan 400 on L mode Holder: Modified 2x3 sheet film holder

Develop: Ilford DD-X 1+9 room temperature 45 minutes

GRAFLEX Ciro 35 (1950)

Camera: GRAFLEX Ciro 35 (1945)

Lens: GRAFTAR f/3.5 50mm

SHUTTER: CENTURY Synchromatic by Wollensak

Film: ULTRAFINE 100 @ 200

Develop: Ilford DD-X 1+4 @20°C 

13 minutes

NEOCA 2-S (1955-1956)

Camera: NEOCA 2-S (1955-1956)

Lens: NEOKOR Anastigmat C 1:3.5 f=45mm

Film: Kodak Plus-X Pan PX 135-20 12/1981 ASA 125 @ 200

Develop: Ilford DD-X 1+4 @20°C 

9-minutes